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Pro Tools 12 is a $495 upgrade from the more affordable Pro Tools HD, offering a richer, modernized environment and upgraded stability, and is designed for use in education, broadcast, live sound, and multi-use projects. It’s available for both the Mac and PC OS platforms.

One of the great improvements to Pro Tools over the last few years has been its pattern and event-based automation. In contrast to plugins such as Ampex’s Ultrafilter and Waves’ Analog Lab, which record automation points in a track and then move on to the next, Avid’s pattern automation is notated at a macro level, so that the automation points are shown in the inspector. This gives a much cleaner interface and much better user experience, and all of Avid’s transport controls are much more intuitive.

Pro Tools’ plug-ins are pretty solid, and much more elaborate than a typical digital piano or synth plugin. The synth section ranges from up-front filters and harmonizers, to bass synth, pads, and vocoder drones. Sounding great and holding up well, these plug-ins are more than capable of replicating classic instruments and styles. The equalizer has a few bells and whistles that stand out, including some very cool boosted harmonics controls, and a great old school tape-style high-pass filter that sounds amazing. Wavetables are a bit weak; I would expect nothing else from a plugin designer, but Avid did a great job of coming up with a set that sounds great in context.

If you’re looking for a more modern alternative to Pro Tools and PreSonus Studio One, I’d recommend auditioning Pro Tools HD Live. Avid has worked extensively on quality of this new platform, and it shows. The virtual instruments (VIs) have a much cleaner, leaner appearance than many Pro Tools plug-ins, and the host has gained a redesigned UI that is easier on the eyes and more capable than its predecessor. It’s also very easy to share projects between your computer and other musicians, or even between multiple computers on a home network.

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In addition to Broadcast-level formats, Pro Tools Studio’s flexibility extends to recording and mixing for a number of digital formats, including DSD, which can be recorded and extracted to DSD-spaced PCM. Avid Pro Tools Serial Key handles native DSD files in addition to the usual PCM and Wave files, making it a superb tool for audiophile and immersive audio enthusiasts. The company has announced plans to support multi-channel recordings natively, too, so the technology to do that is already in place. While hardware support has been going from strength to strength for years and years, Avid has now brought the experience right into the core recording software.

Avid has also improved its multitrack support, which can now contain up to 512 stereo audio tracks, and 32 instrument tracks. With it, you can record 32 audio tracks and 32 instruments at a variety of sample rates, including 48 kHz/48 kHz, 96 kHz/96 kHz, and 192 kHz/192 kHz. (For a long time, Avid only supported stereo 24-bit recordings at these sample rates, and 96 kHz/96 kHz has always been the norm for most users. The company now supports higher sample rates, which are important for recording long, complex mixes.) In addition, you can now record a second 4- or 8-channel mix at the same time, as well as do stereo or multichannel recording. A third monitor or a video track isn’t required, either. The “second mix” feature is a great tool for putting vocalists and other vocalists on a separate track to then record harmonies with, or to do multilevel mixing if you were coming from a different recording software.

All in all, Pro Tools is an excellent tool for professional recording and editing, and probably the best platform available for composing music and audio that sounds like anything other than a MacBook Pro trackpad.

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What’s new in Avid Pro Tools?

Pro Tools 11 lets you build even more dynamic and distinctive mixes more efficiently than ever. Get an overview of your mix with the new View Layer window, and mark areas for specific tweaks by stacking scenes and lanes. Automate your workflow with preset templates for the most common operations. And, explore the mixer in new ways with the latest automation capabilities, performance changes, and improved channel strip layout, all in a fun, fresh UI.

Pro Tools 11 brings you a new streamlined UI, a powerful new Audio I/O engine, and advanced SID editorial tools. The new UI is even more intuitive with the addition of sophisticated automation and workflow functionality. Easily access every functionality without resorting to keystrokes with the redesigned channel strips. Track up to 128 scenes and lanes, and unlock new layer options with scenes and lanes. Streamline your workflow with preset templates for common editing tasks. And integrate with your most used outboard gear and third-party plug-ins to make your life even easier.

Pro Tools 11 delivers the all-new Media Composer workflow that allows you to do more with less time. Track with ease by dragging audio into the timeline area, add effects, and export your master to an MP3 or AAC file right from the Media Composer’s timeline interface. Or, import files into Pro Tools and export directly to an MP3 or AAC file in the timeline window. Add even more features to Media Composer with support for automatic media ingest, Scene One Simplicity, and Media Composer Cloud. And give your videos a higher quality with 2K and 4K output. Media Composer 11 also supports the most powerful file formats on the planet: MKV and MOV.

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What’s new in Avid Pro Tools

Get a consistent UI experience between Classic and Dark modes—just like you do on your computer desktop and mobile.
Create variations of the UI colors in your project with the new Create Gradient tool, and customize the color gradients to fit your needs.
Get enhanced functionality when using the new AE Recording panel, which gives you view mode to see the current track, monitor gains and meters. You can also scrub timecode, designate markers or automatically timecode clips.
Save time when getting your music into the project and media management with the newly added VST support for getting your music into Avid Media Composer and Melodyne.