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The record/monitor interface on a conventional DAW is pretty bad. Even with live-aid, the automation interface can be a bit of a waste of time on a tablet. The new Multitrack view is much more intuitive, letting you drag clips from one place to another to rearrange and manage your tracks.

The drum racks are better and more intuitive than they ever were. The pitch and pan automation routines are more useful, and easier to use, than ever. Max for Live is integrated, meaning there is a consistent workflow for audio and MIDI.

Weve scoured the globe looking for great sounding things to add to Ableton Live, and there were a few things that we didn?t come across (because they were pretty great already). For example, 5th Dimension is a wonderful, swell looking synthesizer that produces sounds with a hypnotic vibrancy and depth that is reminiscent of vintage sounds from companies like ARP and Moog. It also has a long catalogue of sounds from its classical, jazz, and freeform genres, making it a versatile synthesizer for all types of recording and production.

This is perhaps the most exciting feature of the program: in addition to working with the old MIDI protocol, its now possible to work with the new MIDI 2.0 format that is built into the computer. Ableton 10 can handle all of the MIDI files that older systems can create with out exception, including Zero-G as well as newer files. This means that you can go back to older MIDI files and play them with Live 10 if you so desire, without any compatibility issues. MIDI 2.0 is an open protocol, meaning that music developers and manufacturers can come together and share files in the future. Its hard to predict what will happen in the next couple of years, but we are excited to see how it plays out.

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Ableton Live

It gets even better. Live 11 also supports recording to audio files, both the wav and aiff formats. Record audio clips with their own audio track, or set them free as audio events and you can use them as clips too. (This avoids thepossibility of recording the wav file and the aiff file under the same audio track and overwriting oneof them, something that can happen if you create an audio file and put it free in a more traditional track.) If any of the tracks of an Arrangement or Instrument has an audio source attached, youre automatically set up as a cue automatically, but don’t worry, you can configure cues manually as well.

The MIDI files, whether imported from the web or from other applications, are not always pretty. If anapplication is feeding you perfectly formatted MIDI data, and the Live raw synth is not able to keep up with it,then youll have some glitches. Live 11 fixes that by adding support for 24-bit resamplingand MIDI quantisation, which enables resampled data to be de-quantised down to 8-bit so that the Live synth can play nicely with it.

You can also use audio from your device as an audio source. First make sure that whatever you want to use is routed through the Live master (you can do this from the Devices panel in the Inspector window). Then, you can assign a path to the audio from your device to any of the inactive tracks of the Arrangement, MIDI, or Instrument tracks, hit Reassign Device, or choose the appropriate context menu option in the Inspector panel in the Graphics window, and youre done.

Live 9 and 10 shipped with one-drive recording, which means that, other than some nasty regression bugs, you could batch-record audio and MIDI to the drive where the project was stored. Live 11 dumps this kludge and introduces the new Recording Automation and Remote Control features. The new Record Automationallows you to trigger recording of audio clips from your MIDI keyboard. Some sort of beat-mappingfunction is being researched but Im not sure how long that is gonna take.

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The idea of building a perfect desktop DAW has been around since the inception of digital audio editing. All the advantages of a physical DAW have been readily leveraged. Comparing the functionality of the various DAWs available today, Live isnt even in the same league as its competitors, let alone Windows, Logic and Pro Tools. Ableton Live Lifetime Version isnt a tour de force in any one particular category. There are many things that the functionality of all the DAWs are equally lacking, but i have never heard of anyone who would compare Live to any other DAW.

Even though Live isnt a perfect contender for any one category of DAW, there are still many things that are unique to the platform. Live is available as a free application with no limitations, but it is also priced at a fairly high price point. However, what are often considered as drawbacks of Live, like being an expensive alternative to a competitor, are really its greatest strengths. It doesnt lock you into a walled garden that only allows one DAW to run on your computer, but rather gives you the ability to install any software on your computer that you choose to use. This freedom also allows you to create new software devices, and work with any DAW you choose to install on your computer.

Theres no question that Ableton Live is the premier music making environment for PCs, Macs and the modern mobile devices ( iPhones, iPads and Androids ). Ive yet to hear a user say they dont like this application, as theres such a breadth and depth of potential use for it. But there are a few features and user experiences that aren’t quite as polished as they could be. Here are a few things that Live could use some improvement on, providing a quick and easy way to make the most out of the software.

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Ableton Live Features

Compose and edit MIDI and Audio-MIDI files in an intuitive interface.
Edit clips in a number of track views, including grouped, split, and even in the Piano Roll.
Mix and master your audio files right on the computer without any third-party software.
Munge or mute tracks while you work on the audio.
Work with multiple parts, layered audio, and multiple tracks.
Search, navigate, and edit MIDI clips.
Automatically create step sequences and automation clips with the Tape Transformer.
Easily control the pitch bend with the Pitch Transformer.
Display or hide waveforms as you play.
Create and edit audio and MIDI files in any resolution.
Create, edit, and export new audio and MIDI files.